JAZZ REHARMONIZATION PDF

A good way to begin working on basic reharmonization is to practice harmonizing a tune and coming up with a different chord for every note of. My book Jazz Ear Savvy begins by asking you to play Happy Birthday starting on random notes. It’s the most basic exercise to strengthen your. Reharmonization techniques are useful in many ways in Jazz both in improvising and arranging. In this video I will go over 5 reharmonizations.

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This page was last edited on 17 Januaryat In reharmonizatjon to come up with a new chord for each melody note, you must exhaust all available tritone substitutions and exploit all available chromatic approaches. Now we can merrily rebarmonization new chords into our original blues progression, adding color and interest without losing our sense of tonality.

The G chord has been changed to a G7 G-B-D-Fwhich builds extra tension by adding another note that wants to resolve a half reharmonizatlon into the C chord. It is just to consider the tonality you are and include the extension notes that will please you, also combining the static effect we mentioned and the bass move. Bars are a long resolution to F, and starting with the F minor we can see a string of guide tones that all stem from our original G7.

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A sole minor seventh or seventh chord can be perceived as a second degree or its dominant quality substitution, in which case a fifth may follow. When you reharmonize a tune, you give the melody new color by changing reharmoniization underlying harmonics.

A concept introduced by Joseph Schillinger and Nicolas Slonimskythe idea of multiple tonics derived from equal division of the octave appealed to John Coltranewho proceeded to compose the groundbreaking tune ” Giant Steps “. Art Tatum was a pioneer of reharmonization, and later on John ColtraneMiles Davis and Bill Evans were among the first to seriously explore its possibilities, and since then the technique has become an essential tool for the jazz musician and jazz arranger.

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Jazz musicians often take reharmonizqtion melody from a well-known standard and alter the changes to make the tune sound more contemporary or progressive. The F note resolving to E is less important, so a logical chord to precede G7 is one that has the tension note F while maintaining the consonant note C. Therefore, chords can also be substituted for congruent functions: In barsinstead of going straight from the C chord to the G7 and back, we can add an intermediary chord preceding G7 that helps to build tension more slowly, thus creating a more interesting journey.

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With the substitution of the used Greek Mode. Where the five of F is C7, the sub five of F is Gb7. Since that, in the D9 chord in the guitar, the ninth E note entered rehharmonization the place of the third F notewe can use this F and put it in the bass.

Practice applying these 5 Basic Reharmonization Techniques over standards to get familiar with the way they move and the way they sound. The Jazz Theory Book. Clawing at the Limits of Cool.

See the examples below:. The composition features a series of dominant chords and ii-V-I turnarounds resolving to three tonalities built on the B augmented triad the three-tonic system:. Here are some guidelines to basic reharmonization rdharmonization more movement: Similar to how a big band arranger would use soli techniques to harmonize a melody, as solo piano arrangers we can utilize the same harmonization techniques to harmonize a melody to a tune.

For my level the examples are very useful. This way of working backwards from a target chord can be a good way to add interest and color to an otherwise simple chord progression.

Jazz Reharmonization – The Jazz Piano Site

We can replace the bass note of our chord with one a tritone away, and the guide tone resolution stays the same. As opposed to the classical approach to tonal harmony, in jazz there are only three functions: G D Em C A first idea that we could have to this song it would add the seventh in each one of the chords, making tetrads instead of triads.

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The fourth degree in major may be substituted for a seventh chord to create a “bluesy” sound. Planing is often used by jazz arrangers to reharmonize melodic passing tones which, reharmoinzation voiced as a vertical sonority, might clash with the prevailing harmony in the progression.

Retrieved from ” https: In tritone substitution, a dominant chord is replaced by another dominant chord a tritone above its tonic. This is a basic tenet of jazz reharmonization: Herbie Hancock uses improvised planing on his tune “Chameleon”, on his Head Hunters record; McCoy Tyner uses it extensively specifically, pentatonic scales located a tritone apart in his recordings with John Coltranemost notably ” A Love Supreme “, as well as in his own albums of the same reharmonizagion.

For that, musicians work with many concepts, almost all of them we already saw here in the reharmnoization. It is also imperative for jazz bass players to know how this works and what it sounds like, in order to better accompany a band. Another common use of reharmonization is to introduce a new section in the music, such as a coda or bridge.

We would have then:. Chord substitution Back to: Reharmonization is the art of modifying the harmonic structure of a song.

Reharmonization Techniques

In reharmoniation progression going up a fourth, if the first chord is a minor seventh chord, it can also be substituted for a seventh chord; a relative second degree can also be added before it to create a ii-V-I turnaround. How to reharmonize In practice, reharmonize is taking a song which is already done and change its harmony keeping its original melody.

The F rwharmonization brings us to a slightly different sonic space, but our comfortable home note of C carries over as the fifth of this chord F-A-C. Backup band Musical ensemble Orchestra Pit orchestra Rhythm section.

Two harmonizations of ” Yankee Doodle “. From Wikipedia, the free encyclopedia.